![]() In the 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the The change in his art was furthered by his encounter with the works of Paul Klee (1879-1940), Thus the person of the painter comes into the picture. In the midst of a landscape with animals and delicately drawn objects are a large ear and eye The Tilled Field (1923 - 1924) marked the turning point in Miro's art toward a personal style. ![]() His painting, Montroig, for example, has a frontal, geometric pattern greatly influenced by cubism. His first one-man show in Paris was held in 1921 and his paintings of this period reflect cubist influences. In 1919 Miró made his first trip to Paris, France, and thereafter he spent the winters in Paris and the summers in Montroig. Joan Miro was set up for his first solo exhibit at the Dalmau Galleries in Barcelona. The resemblance of Miro's work to that of the intermediate generation of the avant-garde has led scholars to dub this period his Catalan Fauvist period. Miro's early art, like that of the similarly influenced Fauves and Cubists exhibited in Barcelona, was inspired by works of Vincent van GoghĪnd Paul Cezanne. The business world completely to devote his entire life to painting. In 1911, Miro overcame a serious battle with typhoid illness, and at about the same time he abandoned He began his working career when he was a teenager as a clerk. Miro initially went to business school as well as art school. Some of the work that has been recovered, stems back to 1901, when Joan Miro was only 8 years old. His father was a watchmaker, and his mother worked as a goldsmith, which means that he was exposed to the arts, and working with various forms of art, from a young age in Town, and the distinct style that he found in the area. Born in the seaport city of Barcelona, much of his work was influenced by the scenic seaside He did works in sculpture, painting, and worked as a ceramist.
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